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July 11 - August 21, 2005

Southern Masters of Printmaking

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Sigmund Abeles
(b. 1934)

Rembrandt Painting Spinoza
Etching, 10” x 8”2. Engraver and Friend


Sigmund Abeles
(b. 1934)

Engraver and Friend
1957, drypoint on paper, 4” x 5 1/4”


Wayman Adams
(1883 - 1959)

The Baptism
Lithograph, 14” x 7 1/2”


Wayman Adams
(1883 - 1959)

The Offering
Lithograph, 10 1/2” x 8 1/2”


Wayman Adams
(1883 - 1959)

The Sermon
Lithograph, 10” x 8”


George Aid
(1872 - 1938)

Chateau d’Amboise
Etching, 10 3/4” x 8 1/2”

Aid maintained a significant French connection and the subjects of many of his works (such as in this etching and that of the Hotel Cluny in the Museum of Art’s Permanent Collection) reflect his travels in France.


Lamar Baker
(1908 - 1994)

Fright
1932, etching with aquatint,
10 3/4” x 8 1/2”


Wynona Day Bell
(1889 - 1981)

Marketplace
Lithograph, 8 1/2” x 10 1/2”


Thomas Hart Benton
(1889 - 1975)

Goin’ Home
1937, lithograph, 12” x 9 3/8”

A drawing made in North Carolina somewhere in the Smoky Mountains. Benton had a companion drive the car as they followed the mill people home while he completed the sketch.


Thomas Hart Benton
(1889 - 1975)

Plowing It Under
1934, lithograph, 8” x 13 3/8”


Thomas Hart Benton
(1889 - 1975)

Night Firing
1943, lithograph, 8 3/4” x 13 1/8”

Firing the tobacco was a service that the tobacco industry provided at the request of the American Tobacco Company. The shed is where the tobacco is dried out with slow burning fires during the day and night.


Arnold Blanch
(1896 - 1968)

Deep South
Lithograph, 11” x 17”


Alexander Brook
(1898 - 1980)

Standing Girl, Savannah
1940, lithograph, 12 1/2” x 9 1/2”


Harrison Cady
(1877 - 1970)

Tinker’s Bell Mill
1933, drypoint, 9 3/8” x 12 1/8”

Tinker’s Bell Mill is located in the
Great Smoky Mountains of North Carolina.


Gabrielle de Vaux Clements
(1858 - 1948)

The Harbor, Baltimore
1926, etching, 11 3/4” x 17 3/8”