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July 11 - August 21, 2005

Southern Masters of Printmaking

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Abeles • Adams • Aid • Baker • Bell • Benton • Blanch • Brook • Cady • Clements • August Cook • Howard Cook • Cooper • Fouche • Gambrell • Goldwaite • Gwathney • Hale • Heldner • Hergesheimer • Hutty • Hyde • Jacques • Lapsley • Lathan • Law • Leighton • Locke • McCallum • Messner • Murphy • Orr • Parrish • Pescheret • Pugh • Rhett • Routh • Ryder • Schoppe • Schreiber • Taylor • Thieme • Verner • White • Woodruff • Young

George Schreiber
(1904 - 1977)

The White House
c. 1945, lithograph, 10” x 13”

George Schreiber
(1904 - 1977)

Evening in South Carolina
c. 1945, lithograph, 9 1/2” x 13 1/4”

Anna Heyward Taylor
(1879 - 1956)

Wood Ibis
Woodcut, 10 1/2” x 7 1/2”

Anna Heyward Taylor
(1879 - 1956)

White Egrets
Woodcut, 7” x 5 1/2”

Anna Heyward Taylor
(1879 - 1956)

Light Load
1937, woodcut, 10” x 7”

Anna Heyward Taylor
(1879 - 1956)

Untitled
Woodcut, 9” x 6 1/2”

Anthony Thieme
(1888 - 1954)

A Charleston Doorway
c. 1945, etching, 9 7/8” x 7 7/8”

Elizabeth O’Neill Verner
(1883 - 1949)

Tall Buildings
Etching, 4 7/8” x 10 1/4”

This work is the first proof of Verner’s first etching which was pulled from the press in May of 1923. Part of the Charleson Renaissance, Verner was one of the City’s best known artists, capturing the spirit of its people–and as seen here and in the print Church Street which is in the Museum of Art’s collection–the character of its architecture.

Elizabeth O’Neill Verner
(1883 - 1979)

Springtime in Charleston
Etching, 10” x 8”

Elizabeth O’Neill Verner
(1883 - 1979)

The Bottle Man
Etching, 7” x 5”

Elizabeth O’Neill Verner
(1883 - 1979)

Gates of Fenwick Hall
Etching, 11 3/4” x 11”

Elizabeth O’Neill Verner
(1883 - 1979)

Live Oaks
Etching, 5” x 3 1/2”

Charles White
(1878 - 1918)

The Garage, Charleston
1907, etching, 6” x 8”

Charles White
(1878 - 1918)

The Condemned Tenement House
1913. etching, 4 3/4” x 6 1/2”

Hale Woodruff
(1900 - 1980)

Sunday Promenade
Woodcut, 9 1/2” x 7 1/2”

Scott Young
(b. 1958)

Shrimp House,
Mount Pleasant, South Carolina
2000, etching, 4” x 12”